Fall fireworks in a small town

Fall fireworks in a small town

WiscoSouthern engine slicing light

WiscoSouthern engine slicing light

Rear of the Central House Hotel, home of the Gideon Bible & purportedly haunted.  Priceless hotel bar.

Rear of the Central House Hotel, home of the Gideon Bible & purportedly haunted. Priceless hotel bar.

Big Bayou Blue Heron, St Petersburg Florida

Big Bayou Blue Heron, St Petersburg Florida

Cracker range, old Florida, Marion County

Cracker range, old Florida, Marion County

Entrance to Bald Bluff trail, Boscobel

Entrance to Bald Bluff trail, Boscobel


Spring storm across the cornfields, Hgwy 18 W. of Cobb, Wisconsin

Cleaning up my phonography files. Square format Instagram edits- filter paintings would be a good description for these digitally mediated images. Thinking about creating a squarebook to see what language suggests itself as a narrative. Slicing light and putting it to paper now has an entirely different measure of process than in did carried out in darkrooms. And using a phone for capture…facility and facile have the same root. I find myself constantly measuring the weight of my intentions and quality of my focus (not just the lens’) as the fluidity & diversity of digital photographic media makes the significance of all images slippery. And the quantity immense. Thousands of instant images. Transitory. Unrooted, non local, a-historical, protean. Meaning runs off the surface, deliquescent, Daliesque.


Maundy Thursday eve

Winter not quite finished with us, somber in mudseason.
Phonographic +1 exposure , desaturated.

Wauzeka, 8 am


Wauzeka Wisconsin, February. Looking south 8am. Silence. #driftlessworld #landscape #rural #winter #phonography #smalltowns #quiet

Blacksmith’s house


As if dropped from Deadwood S.D. into our Wisconsin River bottoms, I never tire of reimagining this building’s stories.


After an early season, single digit deep-freeze, SW Wisconsin warmed up into the 40’s this weekend. Those kind of rapid temperature swings over a day or two produce heavy, gorgeous fog in the river bottoms. The winter river’s austerity, creaking ice, tufted marshes and the wet, black boughs of submerged trees swaying against the grey cotton skies produce a kind of reverence for a wildness we cannot know, from which we postmodern humans have been divorced and remain, most of the time, estranged. Therein the deepest yearning lurks as our starved eyes feed on the wilderness we’ve lost.

WI River Bottoms, December 2014

WI River Bottoms, December 2014



Radar at the closed window

Don’t just do something, sit there. 


In 2014, photobook collecting continued to thrive with even more photographers than ever breaking traditional formats and leveling the hierarchy of traditional publishing platforms by taking on all aspects of controlling and presenting their own work via self publishing.

This was made even more evident when many of TIME’s editors selected the same books for this list, leading to the decision of highlighting, in addition to the 26 books presented here, one book that we felt stood out amongst the rest: Peter van Agtmael’s Disco Night September 11, which, not only, is an incisive and searing look at the state of America, still caught in maelstroms of war and its aftershocks, but also a distinctly original presentation of documentary work.

Van Agtmael self-published Disco Night September 11, like many of his contemporaries featured here, some of whom turned to crowd-funding platforms such as Kickstarter to set new records for…

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